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There are many, myself included, who bemoan the lack of ritual in modern life. We've lost those rites of passage that have guided us like beacons through the darkness of centuries. How ironic then, that on my birthday, I taught a yoga class composed solely of men. It wasn't planned, yet it happened. In a decade and a half both practicing and teaching yoga, I've never attended a class that wasn't at least 80% women.
More interesting for me was that it was my Monday night meditation class, my most gentle class. In my asana classes, I would've presented a more dynamic 'yang' class to challenge these guys, but tonight I had to stay along the softer edges. And funny how this fact made me uncomfortable, having to lay myself open and present this less "masculine" energy to a roomful of men.
Where does this discomfort stem from? I am always more comfortable amongst women, able to be more myself. With men (aside from my closest friends), I still feel the need to show toughness, to be hard to a certain extent. This feeling to prove myself could be based in a poor relationship with my father. But poor relationships with fathers are so common these days that they could almost be considered rites of passage in themselves. While around men, I often catch myself trying to impress them in some way, most often relating tales of things I've accomplished.
My dual 'careers' could be considered by many to be soft, being both a writer and a yoga teacher. I consider myself to be pretty in touch with my feminine side, and make no apologies for that. So why do I still fall in the trap of measuring my masculinity in materialist terms: the aforementioned hardness and emphasizing my deeds. My generation in particular was the last that seemed to have decent male role models, before the days of the fallen hero that we read about every day in the sports pages, in the celebrity rags, and in the political coverage of the New York Times. Mine was probably the first generation who didn't want to become president when they grew up (thanks to Richard Milhouse), but how could one chose between the soft-talking Georgia man of peace, dubbed weak by his opponents, and his Movie Star successor who rode into DC with tough talk and nukes in his holsters? History sided with Cowboy Ronnie, who ushered in the beginning of an era where a man was measured by his ability to win. To win, that most American of afflictions, shaped our foreign policy and cultural zeitgeist from then on.
So, is to show softness a sign of weakness, or is it a sign of balance? I began my yoga as a counterpoint to my martial arts training, as a means toward better self-care. And even those alleged 'manly fighting arts' taught me to deal with my anger, to act rather than react, to flow like water through the hardness of stone. I have become a man who learned to walk in peace through the world. Or better yet, how to sit still. And to breathe.
On the turntable: Donald Byrd, "Black Byrd"
On the nighttable: Aldo Leopold, "Aldo Leopold's Southwest"
I live in Santa Fe. This means I live amidst a hodge-podge of religions as great as at any other place or time in history. After the indigenous earth religions of the natives came the Spanish Catholicism that attempted to eradicate it. The Third Wave brought the Anglo seekers of the original draft, those artists and writers of the early decades of the last century, who created the myth of the noble Indian, which motivated further waves of Anglos to follow. More recently came the hippies and the neo-hippies, who too came looking for that simple native spirituality, yet this round of pilgrims had one eye ever on the East, diluting the local brand with elements of Buddhism and the New Age. Most recently came Indians of a different genetic strand. There are currently a handful of vedic ashrams or ayurvedic schools in the area, with yoga schools thick on the ground. Living here I am exposed daily to a wide variety of people, all grounded (or in far too many cases, ungrounded) by some belief system or other.
Spirituality in 21st Century America is far different than what I've experienced in Asia. During my own training and travels, I have noticed no real separation at all between spirituality and daily life. The evidence is everywhere, no matter the country or culture or class. Spirituality is at once sacred and personal, and is at the same time secular and universal. They walk their talk. Or more appropriately, there is little talk at all, and why would there be, since it is like talking about how to breathe or how to eat? By contrast, expressions of personal emotion here in the US feel dramatized, but that's not really our fault considering all the way we're constantly spoon fed overblown emotions by the media.
But why then, do we Americans talk so much shit about our feelings but rarely focus on what's valid, on what's real? Self-expression sounds scripted, like in a bad TV show. I naturally find myself making comparisons with the Japanese, who are as impenetrable as the concrete that they're so busy girding their nation with: a cultural and historic hardening and protecting from the inside out. By contrast, American emotions run as wild and unpredictable as a river. The approach to spirituality is interesting, frequently talked-up and emphasized as a sort of adventure. Which strikes me as odd considering that spirituality's purpose is to dam that unpredictable river of the emotions. Long ago, Trungpa Rinpoche downplayed this as spiritual materialism. In Japan, I found most people just turned up at a retreat and silently did their thing, uncomplaining about the omnipresent pain, physical or psychic. In the US, it's like it didn't happen unless we promote it. We wear our spirituality like a coat, putting it on and taking it off with every slight change in the weather. The worst are those who talk up others' spirituality, spouting aphorisms or stories of long-dead sages, as if we haven't already heard them. I often want to say to them, firmly but politely, "Just do your practice and cut the Zen talk already!"
On the turntable: Krishna Das, "Heart as Big as the World"
On the nighttable: Jack Kutz, "Mysteries and Miracles of New Mexico"
"If you read it on paper, it's already out of date."
--The River in Winter
On the turntable: The Allman Bros. "Fillmore Concerts"
The grass is always greener, right?. With the coming of autumn comes the usual introspection. I'm missing Japan pretty badly at the moment. My life here, while rewarding, is far busier than I'm used to. And though difficult at times, I recognize that this return to the US is important, big-picture wise.
A few months before the move, Miki and I climbed up Daimonji. As we looked out over Kyoto, she suddenly asked, what if we didn't go? And I went cold, physically uncomfortable with the idea of staying in that city any longer.
A large part of that reaction had to do with how the local government (and I use the term loosely) presents the ancient capital. This summer, they surprised me with their capacity for shortsighted stupidity, going through with the construction of an aquarium for the 'benefit of Chinese tourists.' As I write this, the Chinese are in a rage and are canceling their travel plans by the thousands. The Heians may or may not be turning in their graves, but we can now see that the graves themselves are.
A fellow devotee to Ninkasi, Micheal has taken a sober approach in helping spearhead a movement in stopping this senseless project, one that went ahead despite overwhelming public protest. Check his Deep Kyoto for more information...
The petition site is here.
On the turntable: Neil Young, "Fork in the Road"
Fall in Kyoto has much to offer. Multi-colored maple leaves strewn across stone like little lost gloves. Dango eaten beneath the full autumnal moon. Festive student carnivals played out in game and song.
This fall, there is even more. On October 1st, a band I used to play with, Morphic Jukebox, will play a short set prior to the screening of a film in which I had a hand in, "Children of Water."
It's as if I never left...
Details here at Deep Kyoto.
On the turntable: Neil Young, "Dreamin' Man 92" (I'm here too, in the audience...)
"A man is rich in proportion to the number of things he can afford to let alone.”
--WaldenOn the turntable: "Putumayo Presents Puerto Rico"
I found out yesterday that a close friend has died. I found out in a bizarre way, on Facebook. In a passing glance, I noticed that a friend had referred in the past tense to someone named Nicole. I thought at first that some celeb had died, but then, as a chill passed over me, I clicked over to Nicole's page, and saw the message from her mom, posted 10 days before. A first for me, notification of a friend's death via social network.
While I knew about the cancer, I hadn't realized it was terminal. Last I'd heard, she'd seemed OK, in her usual good spirits. I went back through her postings, to see when she'd written last. I scrolled past all the birthday greetings, including mine, greetings that went unanswered. Her last post was back in mid-July, a photograph of her sitting on a bench, her face lit by the summer sun. She looks happy, if a little thin, with a straw hat that partially shades her face. Present is the smile we were all blessed with. One of the last things she'd written was not long before that, a response to my wondering if she were in Canada. She said she was, then as if an afterthought, she replied again, this time the single word: "Permanently." I'm haunted by this 'permanently.'
Her 6 week absence on Facebook is now writ huge. I'm ashamed that I'd hardly noticed, yet a person's frequency of posts can be so nebulous. We can easily nuance things in any way we like. But, I can't help but wonder if anyone wondered about this silence. Did they know that she was nearing the end of her life? As I myself thought she was fine, I have to ask whether she herself knew.
In thinking back over my time in Tottori, I'm surprised at how many of my memories include Nicole. It's like she quietly instilled herself into my life to become one of my better friends. If you asked me who I was closest to, I might come up with other names first, but it dawns on me now that Nicole would definitely be somewhere near the top of that list. And I'm not alone in feeling that her ever-present joy and penchant for slightly awkward mischief made her so much fun to be around. And I'm surely not alone in how incredibly devastated I feel right now.
I remember teaching her to play drums, a skill that never seemed to take hold, but the rhythm presented itself in other forms, as a DJ and as our sometime on-stage percussionist. I remember our multiple music swaps and book recommendations. I remember the difficulty she had in adapting her boobs to yoga poses. I remember her compassion when I was divorcing and leaving Yonago behind.
And if I'm not mistaken, I believe she still owes me 20,000 yen.
Don't worry about it sweetie, you've always given me so much more.
